Miu miu fall winter 2014

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Miu Miu Ready To Wear Fall Winter 2014 Paris

miu miu fall winter 2014

Miuccia Prada started her personal revolutionary role in the fashion industry with one simple item: a black nylon rucksack. She took the banal.

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Miuccia Prada started her personal revolutionary role in the fashion industry with one simple item: a black nylon rucksack. She took the banal, the ordinary, the everyday and made it desirable, luxurious, and special. She started to design and define what luxury could be by the appropriation of the normal. What she presented at Miu Miu today was a continuation of that task. A task and a collection that was so enjoyably witty, subversive, and skewed that it reached new heights of the "avant-bland. Prada frequently returns to normality; she often revels in it. This is not to say that she just presents something desultorily and day-to-day, then shoves it on a catwalk—that's not fashion, after all.

There has been a great deal of soul-searching and introspection going on by certain designers during these collections. In France, for one, it seems that they have been asking themselves, What constitutes Paris Fashion, after all? For them, the answer is not marketing, a sole interest in profit margins, or the number of likes on Facebook, but a sense of daring, freedom, skill, and fun that quite simply connects with people who would like to buy and wear their clothes. Strangely, many of these designers are not French, yet they are intimately linked to fashion in Paris and what it symbolizes. And it was up to an Italian, Miuccia Prada, to bring Paris fashion week to a close with a Miu Miu show that was a paean to all of those things, but mainly to the notion of the freedom and fun of French Fashion with a capital F.

And it was up to an Italian, Miuccia Prada, to bring Paris fashion week to a close with a Miu Miu show that was a paean to all of those things, but.
donna che fa pompino

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Miu Miu Fall/Winter 2014 Campaign Film

Miu Miu Fall/Winter 2014 | Paris Fashion Week

Create your look". This is what could be heard interspersed with some of Talking Heads' greatest songs "Once in a Lifetime," "Memories Can't Wait," "Burning Down the House"… as the cacophonous soundtrack for today's terrific Miu Miu show, and it all added to the cheeky, sensory, consumerist overload of Miuccia Prada's latest collection. If that soundtrack sounds a little arch and postmodern, well, it was; it was also fantastic and fun, as was the latest Miu Miu offering. It provided clues to that little bit of disconcerting intent in this collection. As is often the case in Pradaland, there is always a drop of poison with the sugar-candy consumer desirability of this clothing—and that is what makes it all the more addictive, of course. Today Prada decided to revel in fabricating the absolute fake—something better than the real thing. This wasn't just a collection of animal prints and patterns, rich, dense, and delightful in plastic croco skirts and shifts, embossed artificial leopard print—all built in that old-fashioned, layered, '50s way of fabrication—with thick tweed houndstooth-check coats and perverse backless pinafore dresses with big, white cartoon buttons.

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